Were Can I Ge My Rims Chrome

Fernando Gabriel - De Profundis - Exclusive Interview - Deborah Goldstern

Fernando Gabriel Maida
"De Profundis," Exclusive Interview Goldstern © Deborah

Fernando Gabriel Maida

Today Chronicle Underground wants to give a twist to its classic and reports, to introduce the reader in a dreamlike atmosphere and flight very personal, which features an Argentine artist Fernando Gabriel Maida .

Own a particular vision of national export this talent, wasted in every stroke impossible images, postcards of forgotten worlds emerged from the unconscious memory, and plasma Maidana master leaving the viewer breathless.

As the reader will imagine our choice is not due to chance, but our interviewee often esoteric venture through space in search of inspiration, readings then turns in performing some of his stunning paintings.

This last feature was the determining factor for inviting him to be part of this story, that certainly will not go unnoticed by the followers of the blog.


required initial question How did this vocation?

From childhood I spent all my time drawing, did nothing. At first I wanted to be a cartoonist, but one day while watching an art book I came across a wonderful painting by Salvador Dalí, " Tuna Fishing" I was fascinated. From there I felt that this was the way forward, was a revelation, it took me eighteen years to start the study of art.

Some critics define your art as "surreal gothic" It identifies the term, or you feel limited?

not really know how to catalog the style of my paintings. Some critics have classified as gothic surrealism, there are those who also see it as Expressionism, others call it pop surrealism or just fantastic art. In the background I think my paintings have a bit of everything, there is an influence on everything, but I still have a full definition on my art.

One of your works refer to the great Hieronymus Bosch, known as "El Bosco", whom many consider a true initiate in the hidden esoteric, focusing especially on knowledge alchemical order. I have understood you're a big fan of his work, as well as a scholar of his enigmatic life What do you think about his legacy, and how much influence allocated develop your own style?

I'm a big fan of Bosco, and that picture was my little tribute to the Dutch master. There is too much information about his life, but they said belonged to a sect very popular in the Middle Ages, called the "Brotherhood of the Free Spirit," whose members held great sex orgies, in order to achieve a degree of ecstasy if closer to God. No doubt a fascinating artist, well known enigmatic human nature, a real genius, also precursor of surrealism. His triptych " The Garden of Earthly Delights " is full of symbolism, by example is a lute lyre represents androgynous beings, giant strawberries as sex symbols in decomposition. I think my paintings give new life to its mythical monsters.

Your first canvases show a dark side, full of fantastic symbolism, where most of your characters undergo suffering as a way to achieve the ecstasy of life. The first thought I'd say, "to create is necessary to descend into the depths of the soul," Coincidís?

Yes, indeed. Reviewing the history of great artists, Van Gogh case, we see how he suffered greatly because of his schizophrenia, leading him to be strong crisis, which did not prevent the state held in some of his best paintings. Another example is with Edgar Allan Poe, who was living a depressant addicted to drugs and alcohol, a situation aggravated by the death of his wife. Opium gave him terrifying hallucinations, visions which then poured in his famous stories. While developing my first paintings I was personally going through a deep depression where I felt my mind was in chaos, and lack of any possible future for my art. That mood had an impact on my early paintings, are seen littered with grotesque characters, mostly solitary, immersed in total darkness, and no indication of any hope for them. Let

readings. What are your authors header?

Within the field of literature, I am inclined to the horror genre. Authors like HP Lovecraft, Edgar Allan Poe and Bram Stoker, have much impact in my daily reading. Disseminators of occult court also occupy my time, and go into the ground usually works Blavatasky HP, Eliphas Levi and Aleister Crowley.

Bosco addition, in your first pictorial essays is a clear link with other legendary artist, the Swiss HR Giger , creator of Alien.

Giger is one of the leading masters of the fantasy genre, followed by many youth, besides being an artist much admired by the gothic scene. There is no doubt that his work continues to inspire new generations, who find their way clear identification, definitely in my case is a reference also important.

Occultism school seems to occupy a central place in your work. A close observer would say that to move certain altered states, it is necessary to draw on the material considered by some as subversive by their interpretations cryptic, and somewhat unreadable. However, in the world of art where painting occupies a privileged place, the latter seems to fit well with such esoteric concepts that are currently so poorly understood.

The occult has always been my main source of inspiration, although I personally consider myself an amateur in the field. I feel it is imperative that it occupies a prominent place in my work, but I recognize I'm not the only artist that thrives on it.

Within the Argentine scene painting, most known works are defined by their air of manners, and net local court. Of course there were some breakthrough, as the case of Xul Solar , who also was closely related to avant-garde movements of the time, being also an accomplished occultist. In your personal case "feel acceptance with your work, or think Argentina still dominates an essence, that the art factor does not deviate from conservative style cultivated since the beginning of the century?

feel pleased that my work, and that despite its complexity, were well received by colleagues and local critics, not at all familiar with this type of art. But once I had a problem with a gallery-which I reserve the name-which was upset by a picture in which I molded a crucified man, two succubi licking her private part. It was definitely a critique of the Catholic religion, which the curators seemed too bold, coming to work as a porn name, so I suggested "tweak certain parts" in a clear attempt at censorship. And is that the inquisitors still on the loose, more in this type of work that breaks with traditional paradigms. Let

your current work. In this new era, we witness the abandonment of chiaroscuro of your beginning, giving way to a colorful, dazzling, but without losing that touch so characteristic dream, which is one of the trademarks of your work. What are the reasons change?

I like to experiment new things, but still true to the theme of time. The color is because of this I feel a little more optimism, and I try to color not only my pictures, but my own life.

guess many young artists will identify with your vision in this story. What would you recommend to new emerging stock?

not recommend anything!

Fernando Gabriel Maida

Infinite Thanks!

Works

Purgatory

Hell

S / T



The Night



S / T


Jam

Orgasm

ALL RIGHTS RESERVED ©

Welcoming New Physician Sample Letter

Billy Meier Case - Pleiadian Control System - Deborah Goldstern

The Billy Meier Case Control System Pleiadian

Deborah Goldstern

Billy Meier

These days I received the news of the death of Wendell Stevens, who in life was one of the staunchest defenders of Swiss contacted controversial case of Billy Meier. I had a chance to meet Stevens in person during his last visit to Argentina, and I talk about some issues, including that of Billy Meier and personal research that this military issue devoted to the always enigmatic Tayos.

During this exchange and to consult on whether Meier still held contact with the Pleiadians, Stevens nodded affirmatively, noting that these "contacts were no longer produced in the famous Swiss countryside, but the visits were in the bedroom of Meir, the I reaffirmed the presumption that I've been holding on a control system that works not only on earth but throughout the solar system. Of course, when I spoke to Stevens about the possibility my thoughts were still not as delineated as now, and would spend time before you start stating these assumptions currently crystallized Underground Chronicle.

In the history of ufology for Billy Meir was quickly dismissed, struck by a large majority of scholars as an elaborate fraud and that it was not worth further investigation. In my view although there are some points that if they confirm the deception can not be entirely ruled Meier's experience, especially to review some points of the Swiss experience, focusing on his childhood, that I personally consider intriguing and worthy of attention.

To illustrate to the reader and control support our thesis, we chose a passage from one of the few materials published in English on the topic, entitled "Light Years: An investigation into extraterrestrial experiences of Eduard Meier, the American researcher Gary Kinder, and again we see the shadow of our "unknown superiors."

Back at the farmhouse kitchen, Meier did not hesitate to tell Stevens the long history of involvement with the Pleiadians, which had begun in his childhood. He said his first sighting of an alien spacecraft took place one morning when he was just five years.

was in 1942. I was with my father, "said Meier," and I was behind the house under a walnut tree in midsummer. When I saw the ship fly, I thought it strange. Only appeared in our world, but somehow she felt that it was familiar to me. Fell from the sky to the tower of the church, then headed towards us and then away to the west. It was fast, very fast. I watched all this for a minute and a half maybe, and he walked away toward the West, it took only seconds.

object Meier reminded a large disk flying only 200 feet above the ground, completely silent, then disappeared by the Horagenwald, asked his father:

-Dad, what has happened here? But his father only replied:
"It's a secret weapon of Adolph Hitler.
"I was thinking it could not be true," said Meier-
, there was something else. I do not know if my father noticed what he saw, because it was more concerned with that case. But I started to watch the sky, day and night.

Stevens told Meier that went two months before returning to see the silver frisbee, this time slow down to a field where he was playing alone. But as the disc approached the height of the grass, suddenly, without a sound, vanished. After a few moments drive away, something "like a voice" rose inside her head accompanied by a figure or figures vivid in his mind, then the voice spoke to him once a day. Was required to answer and seek answers for yourself.

"At first, did not receive complete words or phrases," said Stevens. It was like images. Over time these images were converted into words and phrases. Once I tried to play one of these symbols, but I was not able to.

Disturbed by the voice and the images they had 'in his head, spoke with Parson Meier Zimmermann, the Protestant minister of the people, about the great Frisbee had seen, and the voice that entered his head shortly after . Zimmermann had a reputation in the village of being a lover of mysticism and to be more liberal in their thinking than most of his parishioners.
Parson knew
-Zimmermann, "said Meier. It was the family priest, and I used to play with their children. Another reason was to see was that although I was a poor boy, I had heard that addressed issues mystics. I told him the experience had with my father and heard voices inside me, telepathic calls. So I went to him because I thought I was going crazy. I used to go after school because he was not far from it. He said he knew things about those flying objects, the time was not yet called them UFOs, and that it was not a new thing for him. The people who flew in them came from another world, not Earth. He told me he understood, but could not say anything ..

was a priest and that would shock people. He asked me to try to learn telepathy to provide appropriate responses. For 10 well, I tried to do 10 they told me. After a few weeks it worked, and was able to respond. I remember very well that Father Zimmermann told me not to talk about this with anyone, because, otherwise, everyone would say I was crazy.

For 10 So when he heard the voice speaking to him, the young Meier was to direct their thoughts inward, and before the pass has long felt that those thoughts came into contact with something .

"The first reaction from the other side," he went was like a gentle smile and fine, I heard on Top 10 depths of me, and I felt comfortable and relaxed. I still hear that laugh, but I can not define it. It was a very loving laughter.

then contact faded once more, and Meier and heard voices or became aware of the existence of images. Suddenly, all was silent again.

On February 3, 1944, when Meier was seven, a new voice, low and clear, came into your conscious mind, 'and ordered me to learn and pick up the knowledge they passed me, "Meier feared that the clarity of new voice that had significantly which had finally succumbed to the madness.

"My fear was that, as a boy, lacked any experience of telepathic affair. Again I went to Parson 10 Zimmermann to tell what was happening. He told me little by little I understood. That voice was clear and serious Meier heard belonged to a creature called Sfath, whose techniques continued transmission of thought frequently during the summer of 1944. Then one day in September, while Meier was alone in a meadow, suddenly announced Sfath telepathically, and told the guy that I should wait there and not be afraid.



"This happened some time later and far from our home," explained Meier. I was five or six miles behind a very dense forest, a lonely place. There I saw something falling from the sky, slowly, very slowly, and every time he got older. It was something like a metal bulb. Then he opened a ramp that descended like an elevator. I went into the ship and went up above the Earth. There was an old man watching me like a patriarch. Sfath called. He was a human being like any other here on Earth, except very old. We talked for hours and then took me back to the ground. The funny thing was I knew my mother tongue better than me. The venerable Sfath

told Meier that would only continue as his spiritual mentor during the first years of the fifties, when a much higher proportion of life would be responsible for subsequent lessons. Meier had been selected for a mission, but Sfath revealed that would be decades before the boy knows his nature. Until that time arrived, Meier should be prepared to deal with many things, some of which would once again questioned his sanity, and others that could potentially produce physical damage. After four hours Sfath Meier took her back to the meadow and then departed. The boy is not seen again. For many years thereafter, continued to transmit thoughts Meier, preparing, it seemed, for the next step in their spiritual evolution. Then, on February 3, 1953, when Meier and was sixteen, voice Sfath forever ceased echoing in his mind.

several months passed before the silence was broken again saw a new voice, a present and I talked to him. Unlike the smooth and harmonious tone Sfath, the new voice sounded young and fresh, full of strength. Asket called.

Asket came from the DAL Universe.

"is unfamiliar to your world-Meier lectured," but our universe is parallel to yours. Counting your time is in same plane. Many of the universe is in flat space-time and completely unknown to you. Because of technological development, the barrier can be opened from our universe to yours. "

Meier counted twelve when he spent eight months in a tuberculosis sanatorium, and at fourteen the juvenile court ordered him to do Albisbrunn correctional constantly steers. There. spent three years before the authorities returned him to his parents, and left school without completing primary education. Working age and had various jobs, from installing sewer pipes to milk cows. On one occasion, with several other young was arrested by police for theft and sent to the remand of Aarburg, where he joined the Foreign Legion, French, deserted a few months after completing the investigation and returned to Switzerland, to the detention center. Stevens told him that after his teenage years, reformatory and performance of rare trades, Asket encouraged him to venture into the world to explore and learn things. Inspired by these teachings telepathic and its consolidation, Meier explained that began its first trip to the Middle East in 1958.

He told me I was out there for myself and saw what was really "counted - because there is a connection to past lives. The most important places were Jerusalem, Bethlehem and Jordan. Were important back East Pakistan, the foothills of the Himalayas and India, especially Delhi and Mehrauli. I should add also Turkey. All this had a connection with Emmanuel was his path and where he lived. It told me to make contact with certain people, some of which I expected, as they were already informed. In Mehrauli learned the Buddha's teachings and philosophy by a Buddhist monk.

spent weeks and even months without contact with Asket. Then suddenly his voice came to be inside his mind, indicating that he wished to convey information.

"Do you have time?" He asked.

Most of the time said yes, because his statement was more important than anything else. And if yes, she continued:

"Want to go to this place tomorrow and see with these people?" Or, "I want to go there and you to deal with this." Or: "I want you to that site and learn this. "

" It's something very normal, "she told Stevens. It's like if you call me and tell me: 'Billy, do you have time to do such a thing? "For it is the same. Meier

considered that busy as a part of the mission entrusted to him as a boy. Was 'instructive', he explained to Stevens, "was known to man, the soul of man, human life, the history of knowledge." Also had to learn things about nature.

"You learn a lot from nature - he said -. Observe the plants and animals, everything that exists, how it comes to life, how he dies, how they can live together. That's how I learned the laws and commandments of nature. The laws and commandments of nature are the same as the laws and commandments of Creation. Creation is not a separate power creation is everywhere.

By visiting many sites, Greece, Turkey, Syria, Jordan, Iraq, Saudi Arabia and then through Kuwait, Iran, to East Pakistan and finally India, Meier had traveled "by land, cars, hitchhiking , bus, train and boat. " Found work as a snake hunter and gardener, drove trucks loaded with nitroglycerin, sang in the streets, served tables, raised pigs, passed by a veterinarian, was a coach, he worked as a nurse, picked grapes, designed jewelry, staged puppet shows, raised hens and taught German, all as told Stevens, under the tutelage of Asket. During his travels he earned the nickname Billy, as a result of his love for the American West and popular heroes such as Billy the Kid, Buffalo Bill and Wild Bill Hickok. Meier

While wandering from country to country, from job to job, continuing the teachings telepathic Asket started by Sfath, imparting great spiritual knowledge. He said:

"I have chosen as a genuine bidder, like many others in earlier times before you. Have more knowledge than any other earthly being of your time. And because of this, you will be under the control and protection of certain forms of life that protect, guide, lead and form. This implies a law of creation that can not be disobeyed in any way, since the real bidders are not called for its mission at a certain age, they are already used to it from the moment of procreation. Such a life can be difficult, because the chosen creature must perceive some extraordinary things.

Near the coastal town of Iskenderun, Turkey, on August 3, 1965, travel to the Middle East, Meier was a passenger in an old bus when it collided with another, leaving it for a window. The accident severed her left arm just above the elbow. Told Stevens was left for dead on the side of the road and lay unconscious for several hours until a doctor came by accident, he inspected in search of vital signs and sent him to a local hospital. He was hospitalized for two weeks and when he felt well enough to travel again, he began traveling to Greece, where he stayed in a hotel in Thessaloniki, selling shirts "in German, with my hand, my eyes, my mouth, with my feet with a pencil and paper. " At a Christmas party that year, he met a Greek girl of seventeen named Kaliope Zafireou.

found in India in 1964, was permitted to photograph Asket their spaceship on the outskirts of Mehrauli. In the photo, the device has a clear disk-shaped top and a small dome, but beyond that no further details. Meier still had the photo and showed it to Stevens.

That year, Asket as Sfath before she left him. In his final touch, he was informed that, in their own interest, like that of his new contacts, should be "monitored" during the next eleven years. At the end of this time, if they made sure he had achieved the appropriate spiritual plane to have a face to face, the new beings will reveal their presence.

"Your ancestors came of the constellation Lyra, Asket told, "and when you are mature enough to hear the new teachings concerning these issues, get the answers of the descendants of your own ancestors. The eternal truth always remains the eternal truth. And thus ended the story Meier about his encounters with youth.

Wendell Stevens had at the time of his death with an impressive resume. "Retired Air Force in 1963, after twenty-three years of active service, with more than four thousand hours of flight and to permit" top secret. " Graduate School of Army Air Corps for pilot training at the age of twenty Stevens was appointed development officer for fighter aircraft "P-47", and during the Second World War, was in command an aircraft maintenance squadron, participating only in limited fighting in the Pacific.

After the war, the Air Force assigned him to the Center of the Air Technical Intelligence at Wright Field, where he reviewed thousands of documents and drawings of Advanced Aerospace which took over the Americans when the Germans left their factories and centers aircraft designs. "

Long before 1947, Stevens known as UFO encounters of pilots, leading to interrogate and investigate hundreds of cases. This interest led to Steven became an authority on UFO, reaching a count of more numerous libraries in the area, about 700 titles, not to mention the impressive photographic material, more than 3000 outlets throughout the world. Their meeting in 1976 with Billy Meier changed his life forever, and took a skeptical position from the start, convinced of the veracity of the Swiss.